Under the gaze: Ophthalmological poetics of cinema and literature
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The book studies the visual nature of the symbolic language of the art of cinema and literature from the position of the ophthalmic theory of speech activity. This concept argues that the perception and the generation of aesthetic reality is associated with emotional disorders of the mental apparatus and the senses - hearing and vision organs - upon contact with the difficult actual reality, due to the subject"s attempts to overcome the identity conflict and determine its place in sociocultural discourse.
Like an optical system of huge permissive ability, films M.Antonioni, P. Grinuei, A.Sokurov, S.Gorukhina, N. Mikhalkov, and others. Directories are transmitted through the language of visual signs the maximum full picture of sociocultural reality and report the experiences of modern A man experiencing loneliness is unable to establish a full-fledged connection with the outside world. The language of art is considered as a means of emotional protection against internal (mental) and external (social) conflicts. "A significant place in the book is assigned to the analysis of the forms of speech behavior of aesthetic subject, the cognitive activity of which is often not correlated with the possibilities of the organs of sensual perception - view and hearing.
The book is written by a lively available language, which makes it interesting not only for kinents, philologists, cultural scientists, but also for all the visual problems of art, culture and communication
Like an optical system of huge permissive ability, films M.Antonioni, P. Grinuei, A.Sokurov, S.Gorukhina, N. Mikhalkov, and others. Directories are transmitted through the language of visual signs the maximum full picture of sociocultural reality and report the experiences of modern A man experiencing loneliness is unable to establish a full-fledged connection with the outside world. The language of art is considered as a means of emotional protection against internal (mental) and external (social) conflicts. "A significant place in the book is assigned to the analysis of the forms of speech behavior of aesthetic subject, the cognitive activity of which is often not correlated with the possibilities of the organs of sensual perception - view and hearing.
The book is written by a lively available language, which makes it interesting not only for kinents, philologists, cultural scientists, but also for all the visual problems of art, culture and communication