The structure of modern poetry: From Baudelaire to the middle of the twentieth century

Professor of Romanesque Philology Gogo Fritrich (1904-1978) worked almost all his life in the University of Freiburg. His Peru owns outstanding works ("classics of the French novel", "Mon-Shadow", "structure of modern lyrics", "era of the Italian lyrics", etc) The "structure of modern lyrics" is most interesting - the author traces the ways of modern poetry from Bajler until the middle of the 20th century. The situation of lyrics, from the middle of the XIX century, rejected by positivism, feelings, emotions, love, landscapes and other classical range, was truly tragic. The rejection of any lyrical and philosophical convention, all increasing alienation of artists from a society with its problems, from reality - people, being, materiality, from space and time, from their readers, from themselves, searching for "pure" absolute, breakthrough to magic words - All this radically deployed poetry by 180 degrees, led to the unprecedented "conditional" expressiveness. In the terminology of Friedrich Lyrics Rembo, Mallarm, Eliot, Saint-John Persian, Unngretti, Lorca, Alea Handra, Guillea acquires the meaning and charm of high spiritual perfection. For Friedrich, modern brilliant poetic Pleiad artistically and philosophically, along with painting and music, acquires itself in an unattainable height.
In the Appendix, the reader will find some difficult poems in the original language and in translations of Eugene Golovin, which give an idea of ​​how the words are combined without generally accepted coordination, as the new language of the new "dictation functions. It should be noted the unusual composition of the final essay of the head: difficult philosophical and philological concepts of the new lyrics are considered in elegant fragments that differ in depth and penetration