The machines of the noisy time. How Soviet montage became a method of unofficial culture
Please sign in so that we can notify you about a reply
This book is an attempt to re-build a story of Russian modernism through the installation history. The development of the installation in the culture of the twentieth century was obtained by a powerful impulse after the invention of the cinema and turning it into a fashionable type of art. The analogues of the film in the 1920s were formed in other arts - literature, poster chart, theater. At different authors and in different periods, it is used as a local reception, as a consistent method, as a holistic aesthetics. In 1930-2000, the assembly methods have repeatedly changed their functions and semantics. Following how they from the decade by the Decade, they become almost invisible, they are again used in a variety of contexts, you can see fundamentally new plots in the development of art of the late XIX-XXI centuries, from Stephen Mallarme to the Internet collages composed of blog notes and video recordings . This book tells how the installation first became the "stalem of the era" 1920? X years in a variety of countries (USSR, Germany, USA ..), and after increasingly turned out to be needed by unnecessary literature and "alternative" directions in cinema and visual art. Among the heroes of the book - Dzig Vertov and Artem Cheerful, Sergey Eisenstein and Alexander Solzhenitsyn, El Lisitsky and Sasha Sokolov, Andy and Lana Vachovski and Pavel Ulitin
Author:
Author:Kukulin Ivan
Cover:
Cover:Hard
Category:
- Category:History & Geography
- Category:Science & Math
Series:
Series: Scientific Library
ISBN:
ISBN:978-5-444-80245-8
No reviews found