Techniques of jazz accompaniment on a six-string guitar

When creating this manual, the focus was focused on the practical development of only the most necessary patterns of harmony used in writing and executing pop and jazz music. The main emphasis was made on the applicate features of jazz harmony.
From the moment the third edition of the Jazz accompaniment technique on the six-string guitar has already passed for more than twelve years, but interest in this manual is not UGAS, and it is still popular with guitarists.
Information placed in the manual will be relevant until Evergrin is being executed and the names of such outstanding composers, the authors of the works of jazz music, like D. Ellington, J. Gershvin, K. Porter, R. Rogers, I. Berlin, Arlen, V. Duk and many others.
This work is addressed, first of all, advocacy guitarists, amateur guitarists who have a certain experience of playing the guitar, as well as arrangers using the guitar in their scores