Somatography. The body in a cinema-like form

Powlina Kvyatkovskaya with her "somatography" with confidence can be called a peculiar disclosure in the disclosure of a physicity in the cinema: it suffered a body capacity category from philosophy to cinema, analyzing specific patterns by which one or another type of physicity is revealed. The basis of this book is a suspicion that the body"s experience is closely connected with time. The incentive for the analysis was the cynomy of delegation - his cinema image of the image and image-time. The author allocates several types of physicity - the body is mnemic, crystalline, nomadic, traumatic and anarchic - and as an example of each of them it uses outstanding filmmakers of European filmmakers. A distinctive feature of these works is the experience of some existential injury (all films were filmed after the Second World War), and the way of the image of the body in these films reflects the inseparable connection of physicity and time. The jn will find its reader, first of all, among directors, operators, philosophers, Culturologists, as well as all those who wonder to try to interpret in a new way and understand the images in well-known films