Psychology of artistic activity. Talents and fans

The book is written on the basis of lectures read by its author, a well-known British psychologist, in a number of US universities. Wilson examines the general principles of artistic activity (such as specifics of movements and gestures, the use of stage space, attracting attractions, ways to communicate with the public, the methods of deliverance from fear of the scene) on the material of classical drama, music and opera. In an exciting form using the latest developments in psychology and a variety of information from the field of art, he proves that psychology as a science of behavior and experience and the theater as a mirror of life are capable of a lot to give each other. The book will be a benefit for students of psychological and theatrical universities, for professionals and executive lovers, as well as for those who want to improve the effectiveness of their public speeches