A barely audible rumble. Introduction to the philosophy of sound
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What is new can you “hear” if you listen to the sound from the space of philosophy? Why did the study of sound problems have been limited by the spheres of science and art, and often does not leave the territory of technology at all? These issues became the starting points of the book by Anatoly Ryasov, a researcher who combines a philosophical analysis with many years of sound engineering practice and the leadership of the musical studios of the Mosfilm film concert. Turning to the concepts of Martin Heidegger, Jacques Derrida, Jean-Luka Nansy and Blue Dular, the author considers sound and listening as a point of intersection of semiotic, psychoanalytic and phenomenological discourse, but at the same time as mysterious gaps in the history of thought. The chosen problems correlate with the area of sound studies, but the conclusions of the work are largely formulated in a polemic with this direction of humanitarian thought. Moreover, if Sound Studies, media theories, technology enthusiasm and selected here as peculiar “targets”, then primarily because the task of the study is to search for their ontological foundation. In the course of the work, the author considers many examples from literature, music and cinema, and in the last chapter reflects on the secret of the attractiveness of early cinema and the mass of sounds hidden by his silence
Author:
Author:Ryasov Anatoly Vladimirovich
Cover:
Cover:Cover with valves
Category:
- Category:Politics & Social Science
- Category:Phylosophy
- Category:Reference books
Series:
Series: Sound history
ISBN:
ISBN:978-5-4448-1595-3
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