Musical Saboteurs

The new book of a well-known journalist, a researcher of the traditions and history of the informal "Russian pop Maxim Maxim Kravchinsky is devoted to the theme of the song as an ideological weapon in the fight against the Soviet authorities - emigration, external and internal, political and military opponents of Soviet Russia. Along with rock music, a noticeable aesthetic and moral damage to Soviet citizens is caused by a thickest lyrics, an anti-Soviet of the repertoire of the emigrant ensembles, as well as the poor creations of Liabards. ... In a special manual for the masters of ideological sabotage without people, it is said: Music is a means of a psychological war ... - so the reader has affected the reader "ideological struggle: questions and answers" (1987).
For the reader, this book is a guide to the musical Terra Incognita. Under the melodies of evil white-leaved chastushki annuals of the civil war, anti-Soviet songs, brix marches of the days of the Great Patriotic, Romance of Yuri Morphessey and the vessels of Peter Leshchenko, the songs of Gulag in the performance of the artists "Third Waves" and the accusatory ballads of Galich reader to understand how when and why the song He became a dangerous propaganda tool.
Like all the projects of the "Russian chanson" projects, the book is accompanied by a gift CD with unique archival records from the Arsenal of "Musical Diversants" of different eras