Tales of postmodern
Please sign in so that we can notify you about a reply
The novel of the philologist Roman Shmarakov is an example of a subtle literary game, in which the reader offers several roles at once, in addition to the traditional one, in which you need to monitor the development of the plot and the beauty of style and language, these are the roles of an insightful detective (after all, all murder should be revealed), a connoisseur of a subtle English Humor (and who does not like Jevs and Wuster?), A lover of stories from the Decameron "Bokkaccio and the" suffering Middle Ages", the symbols of baroque painting and allegories. In the interweaving of the storylines and "weave, the Word of Word" guesses more than just a novel - a postmodern romance, multi -layer, where everyone can subtract their own and where there is a lot: "heroic deeds" of ancestors, clashes of myth -workers and mythosils, spiritualistic sessions and a bureau caused that world of spirits.
Theater fairy tale
Igor Malyshev was remembered by many small novel, "foxes" - a charming prose that absorbed the influence of Markes and Gogol, who reads, on the one hand, like a fairy tale about a small forest demon, and on the other, like a real story.
The new Roman Malyshev also balances on the verge between the city fairy tale and the past: in the center of the story of the fate of two teenagers - a mouse and branches that turned out to be the actors of the mysterious theater on the Raushskaya embankment of the Moscow River.
In this theater, spaces and times intersect, the reality of the capital"s streets flows into the universe of fiction, monuments of human vices established in Bolotnaya Square are found with the legends of ancient Greece.
You will meet here Dionysus, surrounded by a crowd of bacchanes and faunes, ice divers, melting ice with their bodies, and an amazing gnome that was once a man, but sacrificed life for his beloved ...
This story will remind you "Favna" Guillermo del Toro, the "imaginary friend" of Stephen Chobsky and, of course, Romeo and Juliet of Shakespeare. Because the story in which there is no love is not a story
Theater fairy tale
Igor Malyshev was remembered by many small novel, "foxes" - a charming prose that absorbed the influence of Markes and Gogol, who reads, on the one hand, like a fairy tale about a small forest demon, and on the other, like a real story.
The new Roman Malyshev also balances on the verge between the city fairy tale and the past: in the center of the story of the fate of two teenagers - a mouse and branches that turned out to be the actors of the mysterious theater on the Raushskaya embankment of the Moscow River.
In this theater, spaces and times intersect, the reality of the capital"s streets flows into the universe of fiction, monuments of human vices established in Bolotnaya Square are found with the legends of ancient Greece.
You will meet here Dionysus, surrounded by a crowd of bacchanes and faunes, ice divers, melting ice with their bodies, and an amazing gnome that was once a man, but sacrificed life for his beloved ...
This story will remind you "Favna" Guillermo del Toro, the "imaginary friend" of Stephen Chobsky and, of course, Romeo and Juliet of Shakespeare. Because the story in which there is no love is not a story
Author:
Author:Roman Shmarakov, Malyshev Igor Alexandrovich
Cover:
Cover:Hard
Category:
- Category:Fiction
- Category:Modern Literature
- Category:Poetry & Literature
Publication language:
Publication Language:Russian
Paper:
Paper:offset
Series:
Series: Russian Decameron. Premium novel
Age restrictions:
Age restrictions:16+
ISBN:
ISBN:978-5-04-122053-2
No reviews found