Imaginary orphan. Khlebnikov and Harms in the context of Russian and European modernism

"Imaginary orphan: Khlebnikov and Harms in the context of Russian and European modernism" are an attempt to subject artistic works, manifestos and life -making practices of the first vanguard to be indecent for consideration, regardless of both the vanguard’s cult and on the inertia of its perception that has developed over a century. The monograph is problematized by the nature of the first vanguard, the legitimacy of the unique place that he took in today"s literary canon, and the scale of his innovation. In the development of this research program, fascinating intellectual routes are laid from the existing interpretations of the famous works of Khlebnikov and Harms - through their contextualization - to the new. As a result, both writers find a richest pre -AVARDEND PED. The analysis of the work of Khlebnikov and Harms reaches a dramatic peak when discussing their programmatic gestures of the gap with tradition (like throwing Pushkin from the steamer of our time) Both writers find themselves, not wanting it, typical representatives of modernism, sharing intellectual mods, plots, motives, life -making and advertising strategies with their era. Their belonging to modernism is also demonstrated in the section on the numerological topos of Russian literature. Having drawn a mathematical repertoire among contemporaries-modders, Khlebnikov used it to create his auto-mifologist (like the “king of time "), to which modernists such as Kuzmin and Zamyatin, Mandelstam and Oberiutes were then non-trivial.
For philologists specializing in the vanguard and modernism, and a wide range of readers