Magazine Znamya No. 1. 2023
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Almost the entire previous year was held in a special military operation, and this, of course, affected both the inner world of our authors and the current perception of their January publications.
and poems - they are represented by a large cycle (possibly poem) "My dad, political instructor A. Rusakov ..." The oldest Russian poet Gennady Rusakov (New York), impressive collections of Denis Osokin (Kazan), Ivan Konovalov and Vitaly Simankov (both St. Petersburg), the vivid poem of Muscovite Dmitry Tonsonogov, a noticeable debut publication of Larisa Mareeva (Tomsk)
And, of course, prose. It, as is customary in the “banner”, is extremely diverse both thematically and stylistically. About "ordinary, slightly ridiculous people who are trying to deal with themselves and their love, ”writes Denis Dragunsky in the story" after the body ". The “unhurried”, as the author says, is the story of the young Voronezh poet Vasily Nentsov "Material Resistance", apparently, apparently, to the category of lyrical prose, while the surgical composition of the "marginalia" Adam Salakhanov (village of Ghech of the Chechen Republic) points out not yet experienced artistic experimental opportunities. The acute plot and accuracy of the psychological drawing are distinguished by the stories "under the black shadow of being" Eugene Edin (Krasnoyarsk), Muscovite Natalia Gilyarova ("Summer") and Anna Shipilova ("Growing Moon")
, of course, it is impossible to call these works a response to an event agenda. However, as in the next "Znamenskaya" discussion, Vladimir Berezin, Elena Dolgopyat, Denis Dragunsky, Ilya Kochergin, Anna Matveeva, Alexander Melikhov, Sasha Nikolayenko, Roman Senchin, Mikhail Turbin, can be in literature and not straight, missed through an individual. art optics.
A characteristic feature of the "banner" remains attention to the non -passing past, which is also in the essay of Leo Simkin "Ivan, they do not believe us ...", and in the memoir sketch of Mikhail Kuraev "several pages from the life of the cap." The thaw as an object of autobiographical letter is explored by Natalya Ivanova in the article "Literary Selfie against the background of two eras."
As for modern literature, then we are talking about her and in the essay of Gennady Katsov "... Your soul in the Poles recognized you", revealing the features of the poetics of Vera Pavlova, and in "Beat the re -service" of Stanislav Secret, where the prose of childhood is given in October Rooms of literary magazines of 2022. In the section "Observer", our reviewers talk about the books of Elena Dolgopyat (Anna Alikievich), Andrei Tavrova (Valeria Ismieva), Nikolai V. Kononova (Philip Khorvat), Shamil Idiatullina (Ekaterina Ageeva), Varvara Zaskrattseva (Arman Komarov), Maxim Gureeva (Maxim Gureeva (Maxim Gureeva (Maxim Gureev Alexander Cyntsev), Asi Volodina (Shevkek Keshfidinov), Andrei Bulbenko and Martha Kaydanovskaya (Stanislav secrets), Gennady Barattarlo (Alexander Markov)
To the exhibition "thing. Space. A man "in the Tretyakov Gallery is attracted by Dmitry Bavilsky. On the International Scientific Conference dedicated to the memory of A.E. Makhova, reports Olga Dovgia. Chistyl "Turda Manon Lesko", put in the theater of music and poetry of the P/r Elena Kamburova, is analyzed by Konstantin Lviv. And, as usual, under the curtain of the rooms, "cursive of Olga Ball", which refers to the books that incorporated the diary notes of the Nyuta Federmeser, Vladimir Bibikhin and Vladimir Proppa
and poems - they are represented by a large cycle (possibly poem) "My dad, political instructor A. Rusakov ..." The oldest Russian poet Gennady Rusakov (New York), impressive collections of Denis Osokin (Kazan), Ivan Konovalov and Vitaly Simankov (both St. Petersburg), the vivid poem of Muscovite Dmitry Tonsonogov, a noticeable debut publication of Larisa Mareeva (Tomsk)
And, of course, prose. It, as is customary in the “banner”, is extremely diverse both thematically and stylistically. About "ordinary, slightly ridiculous people who are trying to deal with themselves and their love, ”writes Denis Dragunsky in the story" after the body ". The “unhurried”, as the author says, is the story of the young Voronezh poet Vasily Nentsov "Material Resistance", apparently, apparently, to the category of lyrical prose, while the surgical composition of the "marginalia" Adam Salakhanov (village of Ghech of the Chechen Republic) points out not yet experienced artistic experimental opportunities. The acute plot and accuracy of the psychological drawing are distinguished by the stories "under the black shadow of being" Eugene Edin (Krasnoyarsk), Muscovite Natalia Gilyarova ("Summer") and Anna Shipilova ("Growing Moon")
, of course, it is impossible to call these works a response to an event agenda. However, as in the next "Znamenskaya" discussion, Vladimir Berezin, Elena Dolgopyat, Denis Dragunsky, Ilya Kochergin, Anna Matveeva, Alexander Melikhov, Sasha Nikolayenko, Roman Senchin, Mikhail Turbin, can be in literature and not straight, missed through an individual. art optics.
A characteristic feature of the "banner" remains attention to the non -passing past, which is also in the essay of Leo Simkin "Ivan, they do not believe us ...", and in the memoir sketch of Mikhail Kuraev "several pages from the life of the cap." The thaw as an object of autobiographical letter is explored by Natalya Ivanova in the article "Literary Selfie against the background of two eras."
As for modern literature, then we are talking about her and in the essay of Gennady Katsov "... Your soul in the Poles recognized you", revealing the features of the poetics of Vera Pavlova, and in "Beat the re -service" of Stanislav Secret, where the prose of childhood is given in October Rooms of literary magazines of 2022. In the section "Observer", our reviewers talk about the books of Elena Dolgopyat (Anna Alikievich), Andrei Tavrova (Valeria Ismieva), Nikolai V. Kononova (Philip Khorvat), Shamil Idiatullina (Ekaterina Ageeva), Varvara Zaskrattseva (Arman Komarov), Maxim Gureeva (Maxim Gureeva (Maxim Gureeva (Maxim Gureev Alexander Cyntsev), Asi Volodina (Shevkek Keshfidinov), Andrei Bulbenko and Martha Kaydanovskaya (Stanislav secrets), Gennady Barattarlo (Alexander Markov)
To the exhibition "thing. Space. A man "in the Tretyakov Gallery is attracted by Dmitry Bavilsky. On the International Scientific Conference dedicated to the memory of A.E. Makhova, reports Olga Dovgia. Chistyl "Turda Manon Lesko", put in the theater of music and poetry of the P/r Elena Kamburova, is analyzed by Konstantin Lviv. And, as usual, under the curtain of the rooms, "cursive of Olga Ball", which refers to the books that incorporated the diary notes of the Nyuta Federmeser, Vladimir Bibikhin and Vladimir Proppa
Cover:
Cover:Soft
Category:
- Category:Biographies & Memoirs
- Category:Magazines & Encyclopedia
ISBN:
ISBN:2957
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