Magazine "Banner", 2022, No. 11, November
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“Children absorb all the lips of soap foam, and this foam becomes blood,” the intricately arranged "maternal tales" of Julia Lukshina under the general name “pretending to adult” is dedicated to how to keep his face and help the child not to lose his impressive personality. Fairy tales do not hide life, do not reduce it to the rules of the replacement. And about what rules they were, Natalya Self-manager tells in detail and with the pictures in the article "Ta-one-and-call, or something about Sophia Vlasyevna."
but the school rumble with the flags of the first time ... " - a line from a selection of poems by Vladimir Gandelsman, called a specific language" Filling the form ", echoes the words about" foam "and" blood "and makes you think about the price of nostalgia and transformation. Alexei Ulyukaev is represented by poems written before the conclusion - "Place on the map: behind the Hades River". Poems ("Much of ”Cyril Korchagin open the number, the poetry of November Yanis Grants closes - only Yankovsky walks in this darkness.
In the prose of November, except for "fairy tales" Lukshina, -" They were always near the Viktor Esipova, non -fiction about the closer of the Soviet civil service after the intelligentsia, Boris Leibov with the psychological story "Second Love", "Proza" Ekaterina Shevchenko, A multi-colored game "road bag" of Alexei Ilyushkin and the stories of Boris Murza under the general name "Fishing in an endless desert".
In the second notebook of the room, a whole portrait gallery of faces of the Russian-Soviet XX century is presented.
Opening this gallery found in the archive of the family of Vsevolod Petrov "Diary of Marina Malich: a step to the disaster". The summer notes of 1940 made by the second wife of Daniil Harms are prepared for publication and commented on by galleryman Ildar Galeev (he is also the author of the introductory article about Marina Malich and her incredible fate)
"Clara" - a memorable outline of the Amayaka Ter -Abrahamian about the wife of Yuri Dombrovsky Clara Fayzullaevna. Mikhail Epstein in his essay about Gregory Paranza is focused on his philosophy of personalism - "rally in his loneliness". Mark Amusin reminds of Vladimir Makanin, of a military, or rather, anti -war topic in his work from the story "Caucasian prisoner" to the novel "Asan" ("" and eternal battle? ") Leo Rubinstein, whose anniversary fell on this difficult year, is represented by Gennady Katsov in the article "On the magical features of the card system". Vladislav Kulakov completes (the heading "project") open lectures on Russian literature of 1950-2000 "Lianozovo School", the publication was prepared by Georgy Manaev, Danil Fayzov and Yuri Tsvetkov (the beginning of the project in No. 9 and 10)
"The premium landscape in the era of changes is commented on by Alexander Arkhangelsky, Olga Ball, Maya Kucheskaya, Alexander Markov, Alexander Melikhov, Nikolai Podosokorsky, Vitaliy Pyukhanov, Alexander Cyntsev (Rubric" Conference Hall ") Sergei Borovikov continues his sharp notes "comma-18". Anna Nedina "retrays" forms of conversation about verses, choosing publications from the new periodicals. "Observer" reviews: "Sasha, hello!" Dmitry Danilov (Artem Komarov), "oblivion in the face of Leonid Shevchenko (Stanislav Secrets)," above the leg from the ground "Mikhail Turbin (Boris Kutenkov)," 1991 "Oksana Stein-Bratina (Alexander Markov)," Blade of Captain Benfica "and "Shadows of Mali" Vadim Fephilov (Alexander Cyntsev), "Okolitsy Babylon" Vladislav Otroshenko (Shevak Kashfidinov), "Five Totalitarism" Lev Gudkova (Olga Bugoslavskaya) Dmitry Bavilsky, Nikolai Pables, about the performance of Semiramidsky, in the new Tretyakov Gallery - about the play "Memory Memory (Vyatka Aspect), Olga Balla in" Permitus" turns to the new books of Mikhail Barash, Vladimir Gandelsman and Elena Korkina
but the school rumble with the flags of the first time ... " - a line from a selection of poems by Vladimir Gandelsman, called a specific language" Filling the form ", echoes the words about" foam "and" blood "and makes you think about the price of nostalgia and transformation. Alexei Ulyukaev is represented by poems written before the conclusion - "Place on the map: behind the Hades River". Poems ("Much of ”Cyril Korchagin open the number, the poetry of November Yanis Grants closes - only Yankovsky walks in this darkness.
In the prose of November, except for "fairy tales" Lukshina, -" They were always near the Viktor Esipova, non -fiction about the closer of the Soviet civil service after the intelligentsia, Boris Leibov with the psychological story "Second Love", "Proza" Ekaterina Shevchenko, A multi-colored game "road bag" of Alexei Ilyushkin and the stories of Boris Murza under the general name "Fishing in an endless desert".
In the second notebook of the room, a whole portrait gallery of faces of the Russian-Soviet XX century is presented.
Opening this gallery found in the archive of the family of Vsevolod Petrov "Diary of Marina Malich: a step to the disaster". The summer notes of 1940 made by the second wife of Daniil Harms are prepared for publication and commented on by galleryman Ildar Galeev (he is also the author of the introductory article about Marina Malich and her incredible fate)
"Clara" - a memorable outline of the Amayaka Ter -Abrahamian about the wife of Yuri Dombrovsky Clara Fayzullaevna. Mikhail Epstein in his essay about Gregory Paranza is focused on his philosophy of personalism - "rally in his loneliness". Mark Amusin reminds of Vladimir Makanin, of a military, or rather, anti -war topic in his work from the story "Caucasian prisoner" to the novel "Asan" ("" and eternal battle? ") Leo Rubinstein, whose anniversary fell on this difficult year, is represented by Gennady Katsov in the article "On the magical features of the card system". Vladislav Kulakov completes (the heading "project") open lectures on Russian literature of 1950-2000 "Lianozovo School", the publication was prepared by Georgy Manaev, Danil Fayzov and Yuri Tsvetkov (the beginning of the project in No. 9 and 10)
"The premium landscape in the era of changes is commented on by Alexander Arkhangelsky, Olga Ball, Maya Kucheskaya, Alexander Markov, Alexander Melikhov, Nikolai Podosokorsky, Vitaliy Pyukhanov, Alexander Cyntsev (Rubric" Conference Hall ") Sergei Borovikov continues his sharp notes "comma-18". Anna Nedina "retrays" forms of conversation about verses, choosing publications from the new periodicals. "Observer" reviews: "Sasha, hello!" Dmitry Danilov (Artem Komarov), "oblivion in the face of Leonid Shevchenko (Stanislav Secrets)," above the leg from the ground "Mikhail Turbin (Boris Kutenkov)," 1991 "Oksana Stein-Bratina (Alexander Markov)," Blade of Captain Benfica "and "Shadows of Mali" Vadim Fephilov (Alexander Cyntsev), "Okolitsy Babylon" Vladislav Otroshenko (Shevak Kashfidinov), "Five Totalitarism" Lev Gudkova (Olga Bugoslavskaya) Dmitry Bavilsky, Nikolai Pables, about the performance of Semiramidsky, in the new Tretyakov Gallery - about the play "Memory Memory (Vyatka Aspect), Olga Balla in" Permitus" turns to the new books of Mikhail Barash, Vladimir Gandelsman and Elena Korkina
Cover:
Cover:Soft
Category:
- Category:Biographies & Memoirs
- Category:Magazines & Encyclopedia
ISBN:
ISBN:2920
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