Banner. 2020. No. 11

The largest publication of the room is “this shore”, the new novel by Andrei Dmitrieva, the laureate of the prizes "Yasnaya Polyana" and "Russian Bouquer". The novel is multifaceted, modern-artisan, with unexpected turns in the life of the hero-tiery, experiencing a crisis of life through a change in lifestyle, profession, environment and even country. The stylistically transparent prose of Andrei Dmitriev contrastly sets off the “vitative spirit” Svetlana Bogdanova and the story of Katya Kapovich "border" shifted towards fantastic assumptions. Now the archival records from the desktop not so long ago Leonid Zorin left us under the general heading "AFTER LIGHT OF THE LIGHT ”was prepared by Andrei Zorin, the son of the writer, a well -known philologist.
Poets of different generations and schools act with new cycles and collections of poems, from the St. Petersburg classic Alexander Kushner, the poet and philologist from Smolensk Anton Azarenkov, the poet and publisher Alexander Pereverzin to the debutant in our journal Denis Sorotyagin.
The heading of Pasternaka Continues an article by Alexander Dolinin about the text and subtexts "Lessons of English". The decisive "plot of fate" of the writer Anatoly Kuznetsov (on the 50th anniversary of the publication of the full text of the Roman-document "Babi Yar") is explored by Pavel Matveev.
O "" winners and losers of the era of stagnation "writes Natalya Ivanova (" Chertopolo and other plants ") - the reason for the notes was the blockbuster exhibition in the new Tretyakov Gallery and its catalog" This was not possible. 1968-1985 ". Mark Amusin considers the modern "prose of provocation". Efim Hoffmann "returns" memoir-archive publications in the periodicals of recent months.
The observer reviews the new books of Oleg Chukhontseva (Elena Pogorelaya), Evgenia Grishkovts (Stanislav Secrets), Olga Bragina (Kirill Yamshchikov), Bulat Khanova (Artem Pudov), Alla Gorbunova (Mikhail Rodionov), Olga Medvedkova (Dmitry Bavilsky ) Viktor Tumarkin writes about the book "David Samoilov in Pyarn: Victor Perelygin"s Diary." Alexander Markov talks about a virtual exhibition in Pskov. About the final collection of the Hungarian Russianman Dyula Svak is written by Olga Balla. She, in the heading of "Sour -in -law", analyzes the "geographical imagination", presented in the scientific study of the Lithuanian Russianman Ingi Vidigit, non -Nonfikshn Mikhail Bar and a special issue of the Jerusalem magazine "Divum