Ruslan and Ludmila. The second semantic series of the poem A.S. Pushkin

A.S. Pushkin is the deepest philosopher-submarine who has reached perfection not only in the art of owning a word, but also in the ability to convey to readers the most difficult concepts of a worldview, historical and social character.
The second century, Pushkin does not weaken interest in the creative heritage of Pushkin, and each reader, meeting with the works of the poet, tries to understand the reason for their special attractiveness. In other words, everyone is looking for a hidden meaning in them. Why? Yes, because it is often not obvious at the plot level, but is hidden by a certain system of symbols: either developed by Pushkin himself, or given to him from above. It was this circumstance that caused undisguised irritation among many contemporaries of the poet and even aroused open hostility towards him. Over the years, a whole army of professional “Pushkinists” grew up in Russia and abroad, who tried to silence this side of the work of the first poet of Russia.
The work presents one of the possible options for revealing the meaningful side of the symbolism of the poem Ruslan and Lyudmila, which sets out in the system of images of Pushkin the development and formation of Russian multinational civilization and its statehood in the global historical process