High art, lightweight version. The rise and fall of Brit-art of the 90s

In the present book, British art historian, art critic and artist Julian Strelabrass gives an assessment of the 1990s young Britth-Art phenomenon (another name that he gives this movement is high art, lightweight version, abbreviated vivo) The author tried to introduce a wide range of fans of contemporary art attracted by this new course, with the reasons why British art has changed so radically at the end of the last century, and provide a fund to the reader for its analysis and criticism. Stallabrasses consistently considers the work of the main representatives of vivo, young artists, obsessed commerce and mass media: Damien Hirst, Tracy Emin, Jake and Dinos Chapmen, Sarah Lucas, etc