Hamlet"s Flute. Essay on Ontological Poetics

The book is a continuation of the previous book of the author - "Substill Literature". We are still talking about the theoretical aspects of ontologically oriented poetics, the principles of identifying in the artistic text of what can be called "unreadable" in the text, or "non-obvious semantic structures". The difference between the two books consists mainly only in favorites. In the first case, it was about the Russian literary classics, here - about the classics of Western European: from the tragedies of V.Stispira and I.V. Mouth - to the romantic "fairy tales" J. Barry and A. Milna. The study heroes are not only the characters, but also those elements of the world with which they enter into a wide variety of relationships: substances, forms, volumes, sounds, movement directions, etc. - all that is ontological (directly unreadable) to the "apparent" directly , explicit plot and urgent makes it logic and configuration