Sinemarxism

When we are talking about cinema, we primarily pay attention to its artistic fullness, to the skill of the actors, to directorial decisions, scenario delights and the quality of operator work. Outstanding paintings (actors, directors, etc) receive bonuses that claim and confirm their artistic value, and in this vein, the consumer, averaged by the mass viewer, thinks about the cinema. However, in the society of the victorious and dominant capitalism, discussions about the product of film production as a product, and about the cinema itself, as the industry of commodity fetishism, in which completely different indicators and characteristics that determines and directs a completely visible hand of capitalism are important, are fading into the background.