Queens of the second plan

Grandma, grandmother, mother, aunt, nanny, neighbor, lady, countess, witch, but most often simply - the old woman ... So they denoted their roles in the script, in the play, or so called the eyes of the actresses themselves, whom the whole country loved. Not everyone knew by last name, but always recognized by person. “In the new season, you need a play for the old woman,” said the satires about Tatyana Peltzer in the theater. Why was her path to fame so long? Why didn"t she stay with her husband in Germany? What was Tatyana Ivanovna afraid all her life? What feat in the besieged Leningrad did Glykeria Bogdanov-Cesnokov commit? Why was she refused to appropriate the title of People"s Artist? How did Maria Kapnist survive in the camps? Why did she take her daughter from her? How did she play house neighbors? Why was she considered a witch until the end of days? What did Sofya Pilyavskaya not like the Pokrovsky Gate for? How did she get a relationship with Oleg Efremov? How did it affect the success of Lyubov Orlova and Claudia Schulzhenko forgotten star of the musical Hall Valentina Tokarskaya? Is it true that Hitler made gifts to her? How did Elizabeth Uvarova inspire Eugene Schwartz to literary work? Why was one of the small planets the name of the grandmother of the Kostya Monochkin - Ekaterina Mazurova? How did the Aladdin"s chickens train - Ekaterina Verulashvili? In total, about twenty portraits were collected in the book of Kinoveda, a member of the Union of Cinematographers of the Russian Federation, Sergei Kapkov. Monologists, interviews and stories about heroines from a third person, conversations with their friends and relatives, fragments of diaries. And, of course, many photos