Cinema psychology

In the new book of the famous Russian philosopher and psychologist, a bewitching attempt is made to look at the world of a feature film from the point of view of the clinical psychiatrist and psychoanalyst. The film is interpreted by the author as a hallucinator - in the spirit of his book "New Model of Schizophrenia" (Agraf, 2012), and many movie masterpieces of the twentieth and XXI centuries are considered as a series of psychopathological phenomena: "Cinema and nonsense of persecution", "Cinema and nonsense of greatness"," Cinema and nonsense of the impact "," Hebephrenic film "," Catatonic film "," Paranoid film ". At the same time, the author, following the covenants of his great teacher Ludwig Wittgenstein, about which he wrote the book "Divine Ludwig" (2002, 2011), practically does not refer to the literature on cinema theory, making an exception only for his direct teachers Yu.M. Lotman and Vyach. Ivanova. He builds his psychology of cinema literally from scratch.
In this book you will find the tests of the films "Andaluzian dog" and "Golden Age" Bunuel-Dali, "Taurus" Sokurova, "Psychosis" Hitchcock, "Malholland Drive", "Matrix" of the Vachovsky brothers, Lola, Run the "Tom Teke," Boris Godunov "Vladimir Mirzoev," City of Zero "Karen Shakhnazarov," Seventeen Moments of Spring "," Volga-Volga "Andrei Silvestrov and many others.
The choice of films is completely arbitrary, how arbitrarily the choice of articles in the nevertheless has long been an intellectual bestseller and a teaching aid for humanitarian universities" of the Encyclopedic Dictionary of the XX Century Culture of this author.
The book is designed for a reader-intellectual of any age and any profession