Cinema - freedom from censorship

State censorship in Russian cinema was abolished 30 years ago. The boundaries of free movie creation and the related film entrepreneurship are unprecedentedly wide. How did the post -interest cinema with the challenges that stood in front of him in the chaos of the began social turbulence?
The authors analyze the freedom of cinema in six dimensions: freedom from what, to what, in what context, why, in what social control and related social responsibility, with what effect. The focus of attention is the dialectic of freedom of cinema, social control in the field of cinema-communications, the use of censorship as one of its varieties, reforming cinematography during the period of “perestroika” and turning towards capitalism, social functioning of sub- and postscpeys. On the example of the representation of entertaining violence and its audience consumption, the impact of post -interest is considered.
The book “Cinema is freedom from censorship ...” is designed for a wide range of readers interested in cinema and its audience, modern media practice and sociology