Marriage with a jellyfish

“Ninety -percent of science fiction is complete nonsense, but it should be remembered that ninety percent of all there is complete nonsense.”
This statement, also known as the revelation of Starjon, is hardly applicable to his own work. Having changed many professions, from a garbage collector to a literary agent, from a carpenter to a lecturer at the university, he with the same greedy curiosity tries genres and styles, literary forms and formats. No wonder critics called Starjon the best stylist in the history of American science fiction. The destroyer of all kinds of taboos and unwritten rules of the NF, the harbinger of many discoveries of the American new wave of the 1960s, he easily found the keys to the hearts of readers of all age categories and taste addictions.
Children liked funny stories, like crumbs and monsters. Romantic natures could not but appreciate the flying saucer of loneliness about the love of a lonely woman into an alien. The intelligentsia enthusiastically perceived the thoughts of the frighteningly unlimited possibilities of the human mind in “more than people” and “marriage with a jellyfish.”
The work of Starjon studied Kurt Vonnegut with interest. Ray Bredbury, Cemuel Dilheni, and Stephen King, who was fascinated by him: “One of the greatest science fiction writers ever born to the world.”
In his youth, Starjon dreamed of becoming a circus gymnast, but in the end he straightened the wings of his imagination so widely, that He took off above any stunt or acrobat