Sex, love, consciousness, state, or Why did a person start drawing

In this work, the author explores the issue of motivation, which forced the ancient person to create the first drawings. Suddenly for the author himself, love turned out to be this motivation. At the same time, since the creation of the first drawings and the emergence of the consciousness of a modern person, according to many researchers, interconnected processes, the author tries to figure out the causes of the appearance and evolution of consciousness, while affecting philosophical issues of origin. The author illustrates his assumptions and conclusions on the example of the consideration of the cave paintings of the Far East.
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