New criticism. Sound images of post-Soviet pop music

The collection “Sound images of the post-Soviet pop music” from the New Critic series includes texts in which modern popular music in the post-Soviet space is analyzed from the directly musical side-from the point of view of its shape, sound, arrangement and production. What do the songs of Max Korzh and romances of centuries -aforestanding have in common? How has the sound of Russian rock developed over the past 30 years? How did the timbres of television screensavers voiced the Russian 1990s and 2000s and what can they tell about this era? Is there a difference in how the Russian and Ukrainian scene work with folklore motifs? And why does the domestic Black metal use the sound of manual harmonics? In this book you can find answers to these and other, no less exciting questions