Musical performance: procedural-dynamic aspect: a textbook for universities

The first domestic monograph, where the object of a special study was the procedural side of musical performance. A theoretical model of the interpretation process has been built, the internal dynamics of which is considered through the prism of the interaction of the deliberate and unintentional principles. The functioning of these principles invisibly determines the various forms of the course of the interpretation process and the variability of its results. Psychological attitudes are proposed that affect the ratio of deliberate and improvisational elements in an embodied sound image.
For musicians of all performing specialties, teachers, students of music universities and secondary schools, as well as readers interested in issues of the theory of musical performance