The art of color
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The series of books “Classical Library for Drawing” includes rare ancient publications that have both cognitive and bibliographic value. This book is a reprint of the labor of the largest German scientist Wilhelm Ostwelld (Farbkunde., Published in Leipzig in 1923, and translated into Russian entitled “Flower Studies” and published in the publishing house “Production” in 1926)
Wilhelm Ostvostild-a Russian and German physicist, a chemist and an idealist philosopher, a 1909 Nobel laureate, belongs to those natural scientists who made discoveries unusually important for the development of chemistry. In his scientific activity, he devoted a lot of time to research in the field of color theory. From 1910 to 1920, a number of works devoted to the teaching of color were published. The goal of OSTILD in its deep study of color was to develop the principles of selection of harmonious combinations that can be directly used in production. Even the book “Farbkunde” had a complete name: “Flower science: a manual for chemists, physicists, natural scientists, doctors, physiologists, psychologists, colorists, color techniques, printers, ceramics, dyers, weavers, artists, busers, painters of posters, drawers of patterns, patterns, patterns, patterns, patterns Modists.
The study of harmonious combinations of color, especially in modern representations, is impossible without familiarization with the color circle of Ostvostild. Although we see daily the embodiment of his work in computers, smartphones, televisions that reproduce the color in the encoding RGB (Red, Green, Blue - Red, Green, Blue), this system was developed on the basis of the discoveries of the Ostvost. Entire sets were developed for training in art schools and schools. He prepared practical tasks on color science, according to which generations of European artists studied. The contribution of the OSTILD to the science of color studying is colossal, many systems for analysis and streamlining of color that exist in our time are based on his work. Despite the extensive scientific activity, Ostwild continued to engage in painting. Since 1915, he participated in exhibitions, in the 1920s he organized large personal exhibitions.
“Foundation” is a book that covers the subject most comprehensively: along with a historical and critical outline of the development of the doctrine about colors, it contains significant theoretical theoretical The points of view of Ostwild, his doctrine of harmonic combinations of colors, along with this, are described in sufficient detail almost applied methods of measuring colors, as well as the physicochemical technology of coloring substances
Wilhelm Ostvostild-a Russian and German physicist, a chemist and an idealist philosopher, a 1909 Nobel laureate, belongs to those natural scientists who made discoveries unusually important for the development of chemistry. In his scientific activity, he devoted a lot of time to research in the field of color theory. From 1910 to 1920, a number of works devoted to the teaching of color were published. The goal of OSTILD in its deep study of color was to develop the principles of selection of harmonious combinations that can be directly used in production. Even the book “Farbkunde” had a complete name: “Flower science: a manual for chemists, physicists, natural scientists, doctors, physiologists, psychologists, colorists, color techniques, printers, ceramics, dyers, weavers, artists, busers, painters of posters, drawers of patterns, patterns, patterns, patterns, patterns Modists.
The study of harmonious combinations of color, especially in modern representations, is impossible without familiarization with the color circle of Ostvostild. Although we see daily the embodiment of his work in computers, smartphones, televisions that reproduce the color in the encoding RGB (Red, Green, Blue - Red, Green, Blue), this system was developed on the basis of the discoveries of the Ostvost. Entire sets were developed for training in art schools and schools. He prepared practical tasks on color science, according to which generations of European artists studied. The contribution of the OSTILD to the science of color studying is colossal, many systems for analysis and streamlining of color that exist in our time are based on his work. Despite the extensive scientific activity, Ostwild continued to engage in painting. Since 1915, he participated in exhibitions, in the 1920s he organized large personal exhibitions.
“Foundation” is a book that covers the subject most comprehensively: along with a historical and critical outline of the development of the doctrine about colors, it contains significant theoretical theoretical The points of view of Ostwild, his doctrine of harmonic combinations of colors, along with this, are described in sufficient detail almost applied methods of measuring colors, as well as the physicochemical technology of coloring substances
Author:
Author:OSTILD V.
Cover:
Cover:Hard
Category:
- Category:Arts & Photography
- Category:Reference books
- Category:Drawing & Painting
Publication language:
Publication Language:Russian
Paper:
Paper:Offset
Series:
Series: Classical Library for drawing
Age restrictions:
Age restrictions:12+
ISBN:
ISBN:978-5-17-118161-1
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