Konstantin Batynkov

Speaking of Konstantin Batynkov, you must immediately go to the main thing. At least to the main thing in his art. For many years, it really speaks of the main, of painful, about large -scale. It is in this format that Batynkov is revealed in fullness and is capable of much, both in quantitative and qualitative plan, and the vector of its movement, it would seem, is determined and predictable. However, everything presented in this album over the past decade (2009-2018) reveals and fixes something fundamentally new, different from the fact that for many years it was inherent in Batynkov and formed the idea of ​​it as an author, about the carrier of his own style and his own mythologem. Speaking of the artist Konstantin Batynkov, you must immediately go to the main thing. At least to the main thing in his art. For many years, it really speaks of the main, of painful, about large -scale. It is in this format that Batynkov is revealed in fullness and is capable of much, both in quantitative and qualitative plan, and the vector of its movement, it would seem, is determined and predictable. However, everything presented in this album over the past decade (2009-2018) reveals and fixes something fundamentally new, different from the fact that for many years it was inherent in Batynkov and formed the idea of ​​it as an author, about the carrier of his own style and his own mythologem