From avant -garde to neo -Avangard. Language, subjectivity, cultural transfers

This book is dedicated to the identification of vectors of development and transfer of ideas from the early Russian avant -garde to poetry II Paul. XX century. Three main vectors of the transfer are distinguished: linguistic, aesthetic and subjective.
The strategies of the language experiment are considered in the early vanguard and in the neo -Vanguard, including the "interdemiotic translation" between different sign systems combined in one text (polycodomaticity), appeal to other languages, other forms of existence or stages of development of their language (foreign language) , the use of elements of archaic, oriental cultures, etc.
Through the analysis of the transformation of the avant -garde idea of ​​creating a universal language and the transformation of reality, based on the concept of equality of a sign and object, text and reality, the specifics of the formation of a language and structuring of a poetic subject in neo -Avangard are revealed. Such aesthetic concepts as overcoming the "alienated" bodily and the impossibility of self -determination in a word, self -reflection and the search for dialogue through metalaily language structures and metalaily language reflection, reference uncertainty and deic shift, etc. are shown.
The features of rethinking of avant -garde concepts in the poetic practices of modern poets are separately considered. The book is recommended by linguists, philologists and humanitarians of a wide profile