Dance of the Seven Veils. Two small books about a great art

In the autobiographical book "Dance of the Seven Covers", the experience of ballet and opera criticism is comprehended on the example of the figure of a violator of conventions, which the author turns out to be. Describing the conduct of a long sociological experiment, amateurish according to the method, but professional in provocation, the author manages to consider what usually eludes the gaze of the engaging reviewer. The object of consideration is the being of criticism as a separate line in the picture of the "medial space", and the subject is the question of who and how the power discourse is formed in the theater.
For a wide range of specialists in the field of professional amateurism, cultural studies and theater studies