The choice of Sergei Biryukov
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Books of the series "Poets of Moscow" make up modern poets representing the chosen works of those poets of previous eras, whose life and work were directly related to Moscow.
Vladimir Mayakovsky (1893-1930) was born in a small mountain village in Georgia, arrived in Moscow when he was 13 years old, and remained in it forever. Outside of Moscow - only military service in Petrograd and trips around the country and the world. In the "security literacy", Boris Pasternak wrote that in the early 1910s the city and the poet almost merged together: "... Moscow lived increased by external life and was a bright bright brightness of the winter flower window. At night she seemed to be a spilled voice of Mayakovsky. What was happening in it, and what poured and smashed this voice was like two drops of water. But this was not only the similarity that naturalism dreams of, but the connection that combines the anode and the cathode, the artist and life, the poet and time. Mayakovsky noticed the twin-based essence of the capital, the eternal neighborhood of antiquity and modernity already in the 1920s:
When the bus,
Dust disposed, rushing
Voskov’s chapels, I see clearly:
Two of them, two of them in Moscow -
Moscow.
It is customary to divide the poet’s work into two periods - avant -garde and Soviet. However, not everything is so simple: sometimes it is impossible to draw a clear boundary. The modern poet and researcher of the Russian avant -garde Sergey Biryukov proposes to re -look at Mayakovsky’s poetry without ideological shorts and bias.
Compiled by Sergey Biryukov
Vladimir Mayakovsky (1893-1930) was born in a small mountain village in Georgia, arrived in Moscow when he was 13 years old, and remained in it forever. Outside of Moscow - only military service in Petrograd and trips around the country and the world. In the "security literacy", Boris Pasternak wrote that in the early 1910s the city and the poet almost merged together: "... Moscow lived increased by external life and was a bright bright brightness of the winter flower window. At night she seemed to be a spilled voice of Mayakovsky. What was happening in it, and what poured and smashed this voice was like two drops of water. But this was not only the similarity that naturalism dreams of, but the connection that combines the anode and the cathode, the artist and life, the poet and time. Mayakovsky noticed the twin-based essence of the capital, the eternal neighborhood of antiquity and modernity already in the 1920s:
When the bus,
Dust disposed, rushing
Voskov’s chapels, I see clearly:
Two of them, two of them in Moscow -
Moscow.
It is customary to divide the poet’s work into two periods - avant -garde and Soviet. However, not everything is so simple: sometimes it is impossible to draw a clear boundary. The modern poet and researcher of the Russian avant -garde Sergey Biryukov proposes to re -look at Mayakovsky’s poetry without ideological shorts and bias.
Compiled by Sergey Biryukov
Author:
Author:Mayakovsky
Cover:
Cover:Soft
Category:
- Category:Children's Book
- Category:Fiction
- Category:Modern Literature
- Category:Poetry & Literature
Publication language:
Publication Language:Russian
Paper:
Paper:White
Series:
Series: Poets of Moscow
ISBN:
ISBN:978-5-93381-399-6
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