Kinematographic Russia. 3 books set

In the next three -volume series of the ZhZL series: the great people of Russia "included biographies of outstanding domestic directors. "Babric" Potemkin, "Alexander Nevsky" and "Ivan the Terrible" Sergey Eisenstein (1898-1948), Solaris, "Mirror" and "Andrey Rublev" Andrei Tarkovsky (1932-1986), "Kalina Red", " Such a guy "and" stove-stoves" Vasily Shukshin (1929-1974) lives-these films undoubtedly formed our cinema in many ways.

"Vasily Shukshin"
The fate of Vasily Makarovich Shukshin (1929-1974) incorporated all the ups and failures of the Russian XX century. The son of an Altai peasant executed on the false accusations, he managed to make his way to the very top of Soviet public life, without having lost the root national feeling, thanks to the huge natural will and extraordinary will. A peasant, a worker, an intellectual, actor, a director, a writer, a Russian warrior, Shukshin, fed Russia, became a exacting intercessor, a tough trample in front of the authorities, while remaining an incredibly secretive, “encrypted” person. How did Shukshin become Shukshin? What kind of childhood did he have and how did his mysterious youth go? How did his relationship with the authorities, the Church, the literary and cinematic environment develop? How did personal life affect his work? How did he see the past, present and future of Russia? Finally, what succeeded and what failed to do Shukshin? Alexei Varlamov, a well -known prose writer, a literature historian, based on letters, work notes, archival documents, memoirs, made an attempt to "decipher" his hero, and the reader had the opportunity to re -meet Vasily Shukshin.
"Andrey Tarkovsky"
The largest director of the 20th century, a recognized world -famous master, in his country over twenty years of creative activity, he was able to make only five films. Not wanting to go to any compromises with the authorities, the director preferred a voluntary exile - just to be able to remain himself, say what he thought and wanted to say. Maybe that"s why the topic of personal victim has become the main motive of his last film. The author accompanies the story of the life of a brilliant director with a deep and subtle analysis of his films, which allows the reader to more fully understand not only creativity, but also the ambiguous personality of the master himself.
"Sergey Eisenstein"
Films of Sergei Eisenstein - "Babblers" Potemkin, "October", "Alexander Nevsky", "Ivan the Terrible" - became the classic of world cinema, which laid the foundations of modern cinema. But the creative path of the great director was not easy: he could not fulfill most of the plans, he was repeatedly exposed for ideological reasons and died, barely living to fifty. He had to experience a discord with loved ones, the betrayal of friends, painful failures in his personal life. Despite the huge number of works devoted to him, his full -fledged biography has not yet been created. The new book of a culturalist and film science Mark Kushnirov is an attempt to understand the inner world of Eisenstein, who gave rise to his diverse achievements in cinema, theater, graphics and journalism