Tabor

The book will become a "guide to Taborsky", this book will become the introduction of this deep master into the art world. The publication not only describes the main stages and circumstances of his life and work, show the most interesting works, but also indicate their role in the overall development of art. There are casualties with the phenomena of culture and public life (modern at that time, or already historical).
The name of Vladimir Andreevich Favorsky is one of the key in the Russian fine art of the twentieth century. For new generations, the name is, of course, classical and endowed with special, double charm, not only artistic, but also human. It carries a reflection of the personality, connecting a strong creative will with the spiritual openness and rare clarity of the spirit. The force that is felt in Taborsky is definitely a kind force.
However, there is no need to represent and praise the artist. They know him and love him. Favorsky’s works, first of all, the book, and the best of its engravings were reproduced in the press endlessly.
The book is a holistic creative portrait of an outstanding artist. It is concentrated on several, which have not yet received issues that are exhausting resolution, fundamental for understanding the content and nature of its work in art. The main one is the problem of the unity of the artistic work of an outstanding master, a reformer of art of a book and wooden engraving and a fundamental artistic theory developed by him.
The author of the work Yuri Yakovlevich Gerchuk is a well -known art critic, art critic, Honored Artist of the Russian Federation. Yu.Ya. Gerchuk was personally familiar with Taborsky. The work of the Favorsky is the last scientific work of Yuri Yakovlevich. It examines the work of Taborsky in areas such as: graphics. The art of the book. Illustration. Xylography. Picture. Font. Composition. Fine space. Artistic integrity. Synthesis of arts. Style. Symbol