Philosophical mode of verbal creativity. Monograph

Literary creativity is interpreted as a form of non -oretical philosophizing. The paradigm of the philosophy of literature considers topical issues of artistic anthropology, theory and hermeneutics of the literary genre, the processes of enriching the artistic narrative with philosophical discourse. Literature and philosophy in the system of scientific research do not appear as alternative ways of existing meanings, but as interacting cognitive practices, which have their meaningful and forming specifics. A philosophical modus, unlike attributes of artistic substance, is not constant. It does not function in the form of an immutable law, but is not accidental in the works that meet the criteria of classical exemption. The semantic role of the modus is analyzed on the material of Russian classics of the XIX century. The philosophical meanings of artistic works are considered as manifested in "different", that is, in figurative knowledge, comprehended through the "other", that is, through the forms of understanding specifics of literary genres. The prose of M. Yu. Lermontov, A. I. Herzen, I. S. Turgenev and other writers is studied in its genre diversity and in the aspect of lighting different forms of objectification of philosophical mode in verbal work. The ideological and aesthetic analysis of the functional role of philosophical sources, the ideas of ancient thinkers, Montaena, Leibniz, Hegel, Goethe, Schopenhauer, etc. In the works of Russian classics, as well as the phenomena of the anticipation of the philosophy of N. Gartman, Sheler, Sartra, etc. The content of such precedents of isomorphism, which are due to the desire of writers to express in adequate artistic forms their sensation of the "philosophical essence of the world"