"Mimesis of co-confusion" and "Mimesis of the Cossack" in the history of Russian drama of the XVII-XXI centuries

The proposed monograph is the experience of building a "theoretical story" of the Russian drama, i.e. Analysis of the deep level of a change in literary trends, currents and groups implemented in the history of drama. The specificity of dramatic texts does not come down exclusively to the literary: the dramatic work at the same time belongs to another art - theater. Therefore, the monograph takes into account the strict connection of the drama with the theater and with such areas of theatrical social being as a ritual, everyday theatricalization, a game. As a tool of analysis, the general opposition of two models of theatrical and dramatic texts is used: "Mimesis Co-Ostustia" / "Mimesis of Co-Warewits". Their main difference is primarily in the fact that the model of the "mimesis of co-instance" allows the poetological communication of the scene with the hall, and the Mimmesis of co-grades-does not allow. Each chapter is devoted to the monoanalysis of any one Russian play (or one topic related to the history of Russian drama)