Logic of visual representations in art

The book is devoted to the problems of representation in the art of various ideas of historicism, forms of power and types of identity. It describes the experience of artistic development of historical time in ancient Russian art and the transition to new communication models based on the visualization of living nature. The reader proposes a study of the processes of forming in the bowels of the Russian symbolism of the culture of the perception of the film image and mechanisms for building identity in the artistic space of Soviet cinema.
A special place in the book occupies the study of architectural forms that represent the content of project thinking and determine the dynamics of aesthetic processes based on the creativity of the author. In addition, an important part of the work is devoted to how the disciplinary structure of art history is formed and operates, on the example of a description of the disciplinary formation of a cinema science, which can be considered as a subdisciplinary objectivity of art history and as a separate independent disciplinary objectivity.
The book is intended for a wide circle of art researchers