Iran’s idea. Interpretation to the history of art and architecture

The book explores the rules for organizing visual images and compositions in the art of Iran. The fine art of medieval Iran is considered against a wide background of other manifestations of culture, literature, philosophy, crafts. The logic of the movement of art, its transformation on the way of transition from graphic forms of artistic expression to purely visual ones is traced. Particular attention is paid to Persian poetological terminology, as well as modern terminological equipment of history and theory of art, rhetoric and literary poetics. The series of practical developments concludes work that study the rules for the formation of individual images and compositional schemes based on theoretical conclusions in the main text of the study