Catalog "Hamza Sharipov"
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The work of Hafiz Sharipov is read in the aspect of aesthetics and artistic practice of modernist art. However, the artist is also active in postmodern areas, especially to conceptualism, the attitude to which Sharipov has a dual.
The style of Hamza Sharipov, an artist of the philosophical warehouse of thinking, was formed at the junction of the traditions of easel painting and decorative art. To a large extent, this is due to the fact that he graduated from the department of art textiles in the LVHPU named after IN AND. Mukhina. The use of the techniques of national Tatar embroidery, patterned weaving, the flower style of the art of prayer (prayer rug) is combined in his works with a creative understanding of experience primarily of Chinese-Japanese painting, based on the principle of yin-yang, an idea of life as a dynamic unity of opposites in need of a friend Friend (Panel -Zeanaves Tsvetoyzika, 1988, Chess flowers, 1989, paintings Earth are a blanket, 1992, Message to Mondrian, 1996, How beautiful the world, 2002, etc).
Of particular interest are the work in which the experience of Indian folk art - painting on the leaves is taken into account. On the dry leaves that fell from the tree, images of people, animals, life situations are applied with acrylic paint, and part of the sheet, like part of the canvas in some of its paintings, remains incredible
The style of Hamza Sharipov, an artist of the philosophical warehouse of thinking, was formed at the junction of the traditions of easel painting and decorative art. To a large extent, this is due to the fact that he graduated from the department of art textiles in the LVHPU named after IN AND. Mukhina. The use of the techniques of national Tatar embroidery, patterned weaving, the flower style of the art of prayer (prayer rug) is combined in his works with a creative understanding of experience primarily of Chinese-Japanese painting, based on the principle of yin-yang, an idea of life as a dynamic unity of opposites in need of a friend Friend (Panel -Zeanaves Tsvetoyzika, 1988, Chess flowers, 1989, paintings Earth are a blanket, 1992, Message to Mondrian, 1996, How beautiful the world, 2002, etc).
Of particular interest are the work in which the experience of Indian folk art - painting on the leaves is taken into account. On the dry leaves that fell from the tree, images of people, animals, life situations are applied with acrylic paint, and part of the sheet, like part of the canvas in some of its paintings, remains incredible
Cover:
Cover:Soft
Category:
- Category:Arts & Photography
- Category:Travel & tourism
- Category:Culture
- Category:Reference books
Publication language:
Publication Language:Russian
ISBN:
ISBN:978-5-6040378-0-5
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