Architectonics of theatricality. Semiotics of theater performance

Since antiquity, the theater scene served to discuss the most acute social, philosophical, aesthetic and ethical problems. But since then, the attitude to the theater has changed dramatically: from the status of cheap games, to observe which was prohibited from decent people, he went into the category of high arts. He learned to produce metaphors, and, therefore, taught to see the world immeasurably wider. He became an art, not to everyone to join everyone. How did he succeed? Due to the saturated with the signs of the environment, the environment that forms meanings and values ​​and stimulates the interpretation. This is what becomes obvious thanks to the semiotic approach. According to I. Alexandrov, the theater is a privileged semiotic object, even in comparison with the language, it includes much more components than any other form of art.
The book, first of all, will be useful for actors, directors, directors, culturologists, art historians, as well as for all those who would like to know about the nature of the attractive power of the theater