Aesthetic paradoxes of Russian drama. Tutorial

Cultural Filosophical determined constant in the fate of Russian drama appears through the presence and severity of aesthetic paradoxes, born of paradoxes of the social, moral, artistic life of Russia. The author sees the basis of the dynamics in an attempt to "tear away" from his own roots in an attempt to “tear up”. The book analyzes the experience of the innocent theory of drama (Pushkin), genre paradoxes (Gogol) and the formation of a specific (paradoxical) picture of the world that anticipated the origin of the European absurdity drama (Chekhov), as well as the experience of the Russian drama of the twentieth century at a personal level (bitter, roses) and roses) and At the level of trends (the search for a "positive hero" at the turn of the 1970-1980s, the Russian drama of the absurd, verbal aggression in the word) The innovative fragment of the book is the gaminarium "Theory of drama as a culturalfilosophical horizon", which allows to update the analysis of the presented theoretical and empirical material through a specific categorical apparatus.
meets the requirements of federal state educational standards of higher education of the latest generation.
For students studying in the areas of training 44.03.01 "Pedagogical Education", 51.03.01 "Culturology", 52.03.05 "Theater studies", 52.03.06 "Drama", and teachers, as well as all those interested in Russian drama issues