120 days of love. Wilhelm Schenrok"s Museum of Erotica

Pictures of Wilhelm Schönkin in his album "120 days of love" are reproduced and vary the motives of the most famous Renaissance paintings, the Baroque and Classicism era and partly the avant-garde of the beginning of the 20th century. The promiscuity of eras and styles turns into a promiscity in the literal sense of the word: characters from different pictures are engaged in each other. In a certain sense, the artist discredits a museum picture, providing it with shocking details. He removes with the characters of the Humanness", "culturality", "sociality" - and at the same time, the hand of Wilhelm Schönkin Cechen and gentle, elegant and tremble in those orgies of an animal physicity who are played out in his imaginary museum.
The album is equipped with two pre-war lyrics of art historians A.Yakimovich and V.Turchina, which explain the artistic and historical context of this book promotion. Each drawing is accompanied by the text of Wilhelm Schennie - here and his philosophical reflections on "eternal themes", and thinking about the statements of the famous people of the past, and simply chosen by the artist quotes from religious books.
The album is intended to all supporters of open art and an unbiased view of the world